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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 805K
Beautycanbraid
⏲ 15 minutes 22 seconds 👁 9M
hair pulling
⏲ 24 seconds 👁 3.8K
Coke Studio 14<br/>Curated & Produced by Xulfi<br/><br/>Song Narrative: Zain Zohaib<br/>Composed by: Zain Zohaib <br/>Written by Zohaib Ali<br/>Music Arranged by Action Zain & Xulfi<br/>Music Produced by Action Zain & Xulfi<br/>Mixed by Xulfi<br/><br/><br/>ARTIST<br/><br/>Zain Ali – Vocals<br/>Zohaib Ali - Vocals<br/>Quratulain Balouch – Vocals<br/>Action Zain – Synth & Keyboard<br/>Saad ul Hassan – Synth & Keyboard<br/>Haider Ali – Tumbi, Banjo<br/>Melvin Arthur – Synth Bass <br/>Haroon Daniel –Octapad<br/>Kami Paul – Drums<br/>Abdul Waheed – Tabla<br/>Sameer Ali – Harmonium<br/>Ghula Abbas - Dholak<br/><br/>Humnawa<br/><br/>Ehsan Ali <br/>Nauman Rehmat<br/>Mudassar Ali<br/>Ruzzam Ali<br/><br/>Brass Section <br/><br/>Conductor: Nijaat Sahab<br/><br/>Mubarik Ali<br/>Basharat Ali<br/>Mehboob Hussain<br/>Muhammad Aslam<br/>Riaz Ahmed<br/><br/>Produced By GIRAFFE PAKISTAN<br/><br/>Executive Producer: Muhammad Ibrahim<br/>Creative & Project Head: Wajeeha Badar<br/>Creative Manager: Sherry Khattak<br/>Creative Manager: Zahra Aamer<br/>Operations Manager: Saad Mansoor<br/>Creative Associate: Sarah Aminuddin<br/>Creative Associate: Seemab Saqib<br/>Sound Squad Coordinator: Shahrukh Khattak<br/>On-Ground Coordinator: Abdullah Khan<br/><br/>SOUND SQUAD<br/><br/>Chief Sound Engineer: Ishaq Nazir<br/>Audio Electrical Engineer: Muhammad Saifullah<br/>Senior Audio Engineer: Sherry Khattak<br/>Senior Recording Engineer: Turaab Khan<br/>Audio Networking Engineer: Omair Farooq<br/>Audio Engineer: Payam Mashrequi<br/>Audio Engineer: Ziad Ahmed Tariq<br/>Audio Engineer: Malik Arslan<br/>Audio Engineer: Asad Khan (Psydfx)<br/>Monitoring Assistant: Yashwa Ayub<br/>Senior Monitoring Engineer: Haider Ali<br/>Senior Monitoring Engineer: Roger John<br/>Senior Monitoring Engineer: Saqlain Majeed<br/>Audio Assistant: David Joseph<br/><br/><br/>TALENT MANAGEMENT<br/><br/>Adil Naeem<br/>Shahdad Karim<br/>Ahsan Aziz<br/>Jahanzeb Kalmati<br/>Sheraz Farooqui<br/>Faisal Rafiq<br/><br/>THINK TANK<br/><br/>Zulfiqar Jabbar Khan (Xulfi)<br/>Murtaza Niaz<br/>Abdullah Siddiqui<br/>Natasha Noorani<br/>Adnan Dhool<br/>Sherry Khattak<br/><br/>LINE PRODUCTION<br/><br/>Qamber Ali (Celcius)<br/>Mir Mehmood Ahmed Halepota (Celcius)<br/><br/><br/>VIDEO PRODUCTION<br/><br/>Director: Kamal Khan<br/>Producer: Shahrukh Kazim (Fepo)<br/>Video Production House: Gali Films<br/>Project Manager: Zara Chohan<br/><br/>Cinematographer: Ahsan Raza<br/><br/>Production Designer & Art Director: Hashim Ali<br/>Production Design Assistant: Mahina Reki<br/>Art Assistants: Lujane Pagganwala & Sumaiya Saiyed<br/>Set Team: Umer Ikram<br/><br/>Wardrobe Stylist: Fatima Butt <br/> Make-up & Hair Stylist: Saima Rashid Bargrfrede<br/>Makeup & Hair Assistants: Ahmad & Shamroz<br/><br/>1st Assistant Directors: Komal Ahmad, Fariha Afzal & Maham Bano<br/>2nd Assistant Director: Hadi Ahmad<br/><br/>POST<br/><br/>Post & VFX: Kamran Lodhi (Kaamwalay Studios)<br/>Editing: Abubakar Saddique (Studio Rokhan)<br/>Post supervisor: Sohail Khan<br/>Colorist: The Post Brothers - Ercan Küçük<br/><br/>Lights Gaffer: Muhammad Aamir<br/>Focus Pullers: Waqas Younus & Adnan Rafiq<br/>Ronin Operator: Islam Uddin<br/>Ronin Assistant: Furqan Ahmed<br/>Digital imaging Technician: Sohail Khan<br/>Digital imaging Technician Assistant: Mirza Safeer<br/>Smart Video Assist: Sharp Image<br/>Team SVA: Rizwan Saleem, Daniyal Khan & Danish Hashmi<br/><br/>Camera Company: Studio 146<br/>Camera Team (A/C’s):<br/>Muhammad Waqas, Muhammad Irfan, Fahad Yaseen, Fahad Ullah Khan, Haji Fakhrud
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Life with Longhair
⏲ 46 seconds 👁 3.6K
Tessarr
⏲ 3 minutes 49 seconds 👁 2M
Cookies And Cream - Hindi Dubbed Hollywood Movie<br/><br/>A racially mixed, single mother, accepts, an amateur porn, gig, to take care of her daughter and herself,<br/><br/>Director,<br/>Princeton Holt,<br/>Writer,<br/>Princeton Holt,<br/>Stars,<br/>Jace Nicole, Ardie Fuqua, Naama Kates,
⏲ 1:31:40 👁 150K
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⏲ 33 seconds 👁 7.7K
Life with Longhair
⏲ 1 minute 21 seconds 👁 3.2K
A farmer arrested for shooting dead a suspected burglar in a remote farmhouse has been named locally as Robert Lomas.<br/><br/>He was today (Fri) still being quizzed by detectives over the shooting of Marcus Smith, 19, during the second break-in at his property in less than 10 hours.<br/><br/>Smith's mum Kerry, 51, uploaded a photo of her with her son on social media which prompted an outpouring of sympathy from well-wishers.<br/><br/>One wrote: \
⏲ 2:7 👁 80K
Life with Longhair
⏲ 54 seconds 👁 3.8K
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