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From the album The Ancient Black Metal Files (Remastered 2024) by Samael Cooper.<br/><br/>http://SamaelCooper.com<br/>https://samaelcooper.bandcamp.com/<br/>https://soundcloud.com/samael-cooper<br/>https://open.spotify.com/artist/0APROQhf7olj5REpnyRxgu<br/>https://music.apple.com/fr/artist/samael-cooper/1652867511?ls<br/>https://deezer.page.link/dxKM2r3S8vZGvLgd7<br/>https://music.youtube.com/channel/UCohWD7LuGoVB1d4HppJ_sPQ<br/>https://twitter.com/SamaelCooper<br/>https://instagram.com/samaelcooper666<br/><br/>Lyrics by Samael Cooper, Studios X308.<br/>Music by Nikosvras.<br/>Light of Satan Productions.<br/><br/>The Great Prostitute. A cosmic veil. Astrological omens. A prophet's tale. An eclipse in Europe. August 1999. Darkness descended. Mir's fate sealed, as Putin's rule extended. <br/>The Great Bitch of the oligarchs. The red dance where darkness begins.<br/>Putin means a Putain. The orders of a tyrant. The laughter of a mastermind. A nation that is not free. The shadow of the Great Whore in the Kremlin. The dance of deception, under the reign of tyranny. Niet tovaritch, niet to the bitch. The grip of corruption is like a snake's necklac., In the name of power. National unrest. <br/>The winds of Siberia carry terrible stories. In the heart of Russia, where the angels fled. Whispers of the Great Slut.<br/>The despair of the nation. Putin means Bitch. In the dark night. Embrace of the tyrant. Joy of the mastermind. Putin means Puta.<br/>Puta madre. Puta madre. Fucking bitch. Fucking Putin. The Great Whore in the Kremlin. The dance of deception, under the reign of tyranny. The press is silenced, the truth is erased. In the grip of power, freedom is insulted. The dance of the great whore in the halls of power. Putin's grip tightens, in the eternal night. The song of the Bitch is heard in the walls of the Kremlin.<br/>Putin means Bitch. The shadow of the Great Whore. The dance of deception, under the reign of tyranny. When the echo fades in the hollows. Russia. A plea for freedom, a snake's kiss. Kill this bitch. Kill this fucking bitch. And free Ukraine. Fuck the Russian Army.<br/>Putin means Bitch. Iron song of death. Fucking bitch. Fucking Putin.
⏲ 4:31 👁 10K
In the twilight's embrace, as the shadows danced and the air grew heavy with anticipation, a chilling tale unfolded in the quaint town of Hachioji. The legend of Kuchisake-onna, the Slit-Mouthed Woman, had haunted the streets for centuries, instilling fear in the hearts of its inhabitants.<br/><br/>Once a beautiful woman, Kuchisake-onna was said to have been disfigured by her jealous husband, who slashed her mouth from ear to ear. Now, she roamed the night, her face concealed behind a surgical mask, seeking revenge on those who crossed her path.<br/><br/>As the moon cast an eerie glow upon the town, a group of teenagers gathered at the local park, their laughter echoing through the darkness. Among them was a young girl named Akari, known for her mischievous nature and disregard for superstition.<br/><br/>\
⏲ 4:6 👁 10K
On May 14, 1973, NASA launched Skylab, the first American space station. <br/><br/>Skylab orbited Earth for six years and supported three crewed missions during which astronauts conducted hundreds of science experiments. Skylab was considered a success overall, but it got off to a pretty rocky start. It lifted off on a Saturn V rocket from Pad 39A at Kennedy Space Center in Florida. About a minute into the launch, its micrometeoroid shield accidentally deployed and flew off, and it took out one of the solar panels along the way. Debris from that accident then got stuck in another solar array and jammed it shut, leaving Skylab without any solar power. Thankfully, it still had fuel cells to keep it barely running until astronauts could come to save the day. But to make matters worse, the missing micrometeoroid shield was also designed to be a heat shield, so Skylab was getting dangerously hot. The first crewed Skylab mission arrived 12 days later with a new replacement heat shade, and they were able to fix the jammed solar panel and get the station up and running.
⏲ 1:10 👁 155K
<br/>In a realm shrouded in the nebulous veil of perilous uncertainty, a fledgling hero stands at the precipice of destiny's forge, where the flames of fate's whims dance with the potential of his untapped power. Will he rise above the towering obstructions fate has meticulously woven in his path, delving deep into the recesses of his latent abilities? Join him on an odyssey through the cryptic maze of age-old temples and malevolent entities, where the delicate balance of humanity's existence teeters on the edge of oblivion. Witness with awe his profound transformation, his unwavering pursuit of excellence as he dons the radiant cloak of authority, propelling himself toward the pinnacle of knighthood. Observe, as he navigates the treacherous currents of destiny, poised to lay claim to the revered Throne of Seal, an artifact steeped in the lore of centuries. Prepare yourself for an immersive journey, adorned with dazzling imagery, epic clashes of determination, and a tapestry of narrative complexities that will ensnare your senses and leave you perpetually on the edge of anticipation.
⏲ 14:7 👁 15K
Dragonfire Chronicles: Unraveling the Targaryen Civil War in House of the Dragon.<br/>Step into the mesmerizing world of \
⏲ 8:1 👁 5K
Official description: For its pavilion at Biennale Arte 2024, Austria presents conceptual artist Anna Jermolaewa. In her work, the artist — born in Leningrad (USSR) and living in Vienna since 1989 — proves to be an astute observer of human coexistence, its social conditions and political requisites. For the Austrian contribution, Jermolaewa draws an arc from her personal experience of migration as a political refugee to signifiers of nonviolent resistance against authoritarian regimes. In Rehearsal for Swan Lake, made in collaboration with Ukrainian choreographer Oksana Serheieva, Jermolaewa references a memory from her teenage years. In times of political unrest, for instance the death of a head of state, Soviet television replaced their regularly scheduled broadcast with Tchaikovsky’s Swan Lake in a loop for days. In Soviet cultural memory, the famous ballet became code for a change in power. Jermolaewa and Serheieva turn the ballet from a tool of censorship and distraction into a form of political protest — here, the dancers rehearse for regime change in Russia.<br/><br/>Anna Jermolaewa / Pavilion of Austria at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.
⏲ 5:30 👁 5K
Chelsea 2-1 Bournemouth HIGHLIGHTS - the Blues secure Europe spot Premier League 23 24
⏲ 2:4 ✓ 20-May-2024
#boyceavenue #acousticsongs #iwannadancewithsomebody<br/>Boyce Avenue's acoustic piano cover of “I Wanna Dance With Somebody (Who Loves Me)” by Whitney Houston (wedding songs / love song version)
⏲ 3:54 ✓ 17-May-2024
In the labyrinthine streets of Victorian London, where gas lamps cast an eerie glow and shadows danced ominously, a sinister legend emerged that sent shivers down the spines of its inhabitants. It was the tale of Spring-heeled Jack, a mysterious figure who haunted the city's darkest corners, leaving a trail of terror in his wake.<br/><br/>Spring-heeled Jack was said to be a tall, gaunt man with piercing eyes and a malevolent grin. His most distinctive feature, however, was his uncanny ability to leap over great heights, seemingly defying the laws of gravity. Witnesses claimed to have seen him bounding over rooftops, scaling walls with ease, and disappearing into the night with astonishing agility.<br/><br/>The first reported sighting of Spring-heeled Jack occurred in 1837, when a young woman named Jane Alsop encountered him in the secluded Clapham Common. As she walked home from a visit to a friend, she noticed a strange figure lurking in the shadows. As she approached, the figure suddenly lunged at her, its eyes glowing an eerie red. Jane screamed in terror and ran for her life, but the figure pursued her relentlessly, leaping over fences and hedges with alarming speed.<br/><br/>Word of Jane's encounter spread like wildfire, and soon the legend of Spring-heeled Jack began to take hold. Panic gripped the city as more and more people reported sightings of the mysterious jumper. Women and children were warned to stay indoors after dark, and men armed themselves with sticks and pistols in case they encountered the elusive figure.<br/><br/>The authorities were baffled by the phenomenon. Police patrols were increased, but Spring-heeled Jack seemed to evade capture at every turn. He would appear and disappear at will, leaving no trace behind. Some dismissed the sightings as mere hoaxes or the product of overactive imaginations, but the sheer number of reports and the consistency of the descriptions suggested otherwise.<br/><br/>As the legend grew, so too did the fear and paranoia that gripped London. People began to see Spring-heeled Jack everywhere they went, even in broad daylight. Rumors spread that he was a supernatural being, a demon or a vampire, sent to torment the city. Others believed he was a madman, a criminal who had escaped from an asylum.<br/><br/>The authorities, desperate to quell the growing panic, launched a full-scale investigation. Detectives scoured the city, interviewing witnesses and searching for any evidence that could lead to Spring-heeled Jack's identity. But their efforts proved futile. The mysterious jumper remained elusive, his true nature a tantalizing enigma.<br/><br/>In the end, the legend of Spring-heeled Jack faded into obscurity, becoming a footnote in the annals of Victorian folklore. But the fear and fascination he inspired lingered on, a testament to the power of the human imagination to create and perpetuate tales of the unknown.<br/><br/>One hundred and fifty years later, the mystery of Spring-heeled Jack remains unsolved. Was he a real person, a figment of the collective im
⏲ 3:25 ✓ 15-May-2024
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