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⏲ 1:49:44 👁 595K
Wekho Punjab
⏲ 7 minutes 13 seconds 👁 3.9K
GNN Entertainment
⏲ 8 minutes 30 seconds 👁 10.7K
Google employees expressed frustration to CEO Sundar Pichai and CFO Ruth Porat over cost cuts and lack of pay raises despite strong profits. Workers reported a significant drop in morale and increased distrust between leadership and staff. The top concern was an absence of meaningful pay bumps while the company hit record earnings. Porat said expenses had outpaced revenue recently, which isn't sustainable. Pichai acknowledged overhiring during COVID and the need to rein in spending now. Pichai outlined growing costs while moderating the pace of spending increases. The meeting followed recent layoffs, return-to-office orders, and protests over military contracts.
⏲ 0:49 👁 270K
Lollywood Movie House
⏲ 6 minutes 52 seconds 👁 3K
Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 2.4M
Sony and Apollo's strategy in a merger with Paramount would be to keep theatrical release output steady between the studios at around 20 wide releases per year. The exhibition industry fears a merger could reduce output like Disney-Fox, but Sony/Apollo plans to compete with streamers through volume. TV and streaming assets like CBS, MTV, and Paramount+ would likely be auctioned off under a merger. Last year, Sony and Paramount grossed $2 billion each at the global box office, while a merger could see their combined output reach $4 billion.
⏲ 0:42 👁 360K
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⏲ 1:58:27 👁 195K
This is the Met Office UK Weather forecast for the next 10 days, dated 08/05/2024.<br/><br/>After a period of some dry, bright and warm weather for many, it’s all change as we head through the weekend into next week with the return of the wind and rain. Temperatures will drop too, though still likely to remain above average.<br/><br/>Bringing you this 10 day trend is Met Office meteorologist Alex Burkill.
⏲ 8:57 👁 2.3M
The Dreamers (2003) Full Movie | Eva Green, Louis Garrel, Michael Pitt, Ingy Fillion |Facts & Review<br/><br/>Hello Friends, Welcome To Our Youtube Channel. Today I Am Going To Give You Information About The Dreamers, Which Was Released In 2003.<br/><br/>The Dreamers Is A 2003 Romantic Drama Film Directed By Bernardo Bertolucci. The Screenplay Is By Gilbert Adair, Based On His 1988 Novel The Holy Innocents. An International Co-Production By Companies From France, The United Kingdom, And Italy, The Film Tells The Story Of An American University Student In Paris Who, After Meeting A Peculiar Brother And Sister Who Are Fellow Film Enthusiasts, Becomes Entangled In An Erotic Triangle. It Is Set Against The Backdrop Of The 1968 Paris Student Riots. The Film Makes Several References To Various Movies Of Classical And French New Wave Cinema, Incorporating Clips From Films That Are Often Imitated By The Actors In Particular Scenes.<br/><br/>There Are Two Versions: An Uncut NC-17-Rated Version, And An R-Rated Version That Is About Three Minutes Shorter.<br/><br/>Directed By Bernardo Bertolucci<br/>Screenplay By Gilbert Adair<br/>Based On The Holy Innocents<br/>By Gilbert Adair<br/>Produced By Jeremy Thomas<br/>Starring Michael Pitt<br/>Eva Green<br/>Louis Garrel<br/>Cinematography Fabio Cianchetti<br/>Edited By Jacopo Quadri<br/>Production<br/>Companies <br/>Recorded Picture Company<br/>Peninsula Films<br/>Distributed By TFM Distribution (France)<br/>Medusa Distribuzione (Italy)<br/>Fox Searchlight Pictures (United Kingdom/United States)<br/>Release Dates <br/>10 October 2003 (Italy)<br/>10 December 2003 (France)<br/>6 February 2004<br/>Running Time 115 Minutes<br/>Countries United Kingdom<br/>France<br/>Italy<br/>Languages English<br/>French<br/>Budget €15.9 Million<br/>Box Office $15.12 Million<br/><br/>Cast<br/><br/>Michael Pitt As Matthew<br/>Eva Green As Isabelle<br/>Louis Garrel As Théo<br/>Anna Chancellor As Mother<br/>Robin Renucci As Father<br/>Jean-Pierre Kalfon As Himself<br/>Jean-Pierre Léaud As Himself<br/>Florian Cadiou As Patrick<br/>Pierre Hancisse As First Buff<br/>Valentin Merlet As Second Buff<br/>Lola Peploe As The Usherette<br/>Ingy Fillion As Théo's Girlfriend
⏲ 1:33:5 👁 725K
These movies deserved much better.
⏲ 13:8 👁 3.4M
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⏲ 1:57:42 👁 375K
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