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Director: Starr Nathan<br/>Director of Photography: Dane Brown<br/>Editor: Edward Schorer<br/>Senior Producer: Naomi Nishi<br/>Producer, On Set: Jeff Wallace<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Mar Alfonso<br/>Audio: Brianna Simons<br/>Polaroids by Jacob Webster<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Arts & Graphics Lead: Léa Kichler<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/><br/>COSMO POST HOUSE<br/>Assistant Editor: Meaghan Rahamut<br/>Managing Partner: Yvette Cobarrubias<br/>Executive Producer: Idalia Deshon<br/>Executive Producer: Marie Mangahas<br/>Head of Production: Kacie Gomez<br/>Head of Production: Tina Evanow Wolske<br/>Producer: Edwina Lantigua<br/>Producer: Jesse Lehrhoff<br/><br/>Filmed on Location: The Mark Hotel, New York
⏲ 4:8 👁 35K
In Theaters and On Digital June 2024 <br/>https://tv.apple.com/us/movie/i-used-...<br/><br/>I Used To Be Funny is a dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance. Writer/director Ally Pankiw’s debut feature is both funny and heartbreaking in its honest and refreshing look at trauma and recovery, and how they affect the relationships and communities that shape us.<br/>
⏲ 1:30 👁 300K
Inside The Exhibition: Sleeping Beauties Reawakening Fashion<br/>Director: Catherine Orchard<br/>Director of Photography: Mike Lopez<br/>Editor: Estan Esparza<br/>Producer: Gabrielle Reich<br/>Producer, On Set: Kevyn Fairchild<br/>Associate Producers: Lea Donenberg, Jazz Pitcairn<br/>Assistant Camera: Pierce Pyrzenski, Eliza Kamerling-Brown<br/>Gaffer: Billy Voermann<br/>Audio: Lily Van Leeuwen, Gabe Quiroga<br/>Groomers: Laila Hayani, Jessi Butterfield<br/>Assistant Editor: Andy Morell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Special Thanks: The Metropolitan Museum of Art
⏲ 9:6 👁 25K
Set in Cornwall, the film tells the story of a middle aged widow whose irresponsible husband left her in an enormous debt, forcing her to grow cannabis in her greenhouse along with her gardener Matthew to avoid losing her house.
⏲ 1:30:33 👁 175K
https://www.maximotv.com <br/>B-roll footage: Social media influencers McKenzie Brooke (@mckenzibrooke), Reif Harrison (@reifharrison), Taylor Fangmann (@taylormfangmann) on the black carpet for Prime Video's \
⏲ 0:54 👁 160K
Mr Right (2023) - ENGLISH<br/><br/>Synopsis: When a romance writer catches feelings for her barista, she's conflicted. Is committing to a relationship worth losing a friend and possibly her job?<br/><br/>Cast<br/>Sierra Reid: Charlotte<br/>Tanner Gillman: Liam<br/>Weixin Le: Lila<br/>Charla Bocchicchio: Mrs. Weir<br/>Rachel B. Davis: Sarah<br/>Isaac Akers: Max<br/>Ashlyn Brooke Anderson: Romantique Writer Gracie<br/>Kaden Caldwell: Jimmy<br/>Frank J. DeVito: Romantique Writer Laurence<br/>Marissa Dumas: Book Store Clerk<br/>Kelsey Edwards: Romantique Receptionist<br/>Belinda Glenn: Mrs. Weir Secretary<br/>Matt Koenig: Dr. Bailey<br/>Dave Martinez: Coffee Thief Fred<br/>Elizabeth Monte: Phone Store Employee Renee<br/>Eric Osmond: Thomas<br/>Monica Moore Smith: Romantique Writer Paesha<br/>Dashiell Wolf: Paul
⏲ 1:34:19 👁 55K
Oh No! Slept with My Husband
⏲ 1:35:11 👁 15K
Director: Starr Nathan<br/>Director of Photography: Dane Brown<br/>Editor: Edward Schorer<br/>Senior Producer: Naomi Nishi<br/>Producer, On Set: Jeff Wallace<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Mar Alfonso<br/>Audio: Brianna Simons<br/>Polaroids by Jacob Webster<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Arts & Graphics Lead: Léa Kichler<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/><br/>COSMO POST HOUSE<br/>Assistant Editor: Meaghan Rahamut<br/>Managing Partner: Yvette Cobarrubias<br/>Executive Producer: Idalia Deshon<br/>Executive Producer: Marie Mangahas<br/>Head of Production: Kacie Gomez<br/>Head of Production: Tina Evanow Wolske<br/>Producer: Edwina Lantigua<br/>Producer: Jesse Lehrhoff<br/><br/>Filmed on Location: The Mark Hotel, New York
⏲ 4:8 👁 15K
In Theaters and On Digital June 2024 <br/>https://tv.apple.com/us/movie/i-used-...<br/><br/>I Used To Be Funny is a dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance. Writer/director Ally Pankiw’s debut feature is both funny and heartbreaking in its honest and refreshing look at trauma and recovery, and how they affect the relationships and communities that shape us.<br/>
⏲ 1:30 👁 20K
Inside The Exhibition: Sleeping Beauties Reawakening Fashion<br/>Director: Catherine Orchard<br/>Director of Photography: Mike Lopez<br/>Editor: Estan Esparza<br/>Producer: Gabrielle Reich<br/>Producer, On Set: Kevyn Fairchild<br/>Associate Producers: Lea Donenberg, Jazz Pitcairn<br/>Assistant Camera: Pierce Pyrzenski, Eliza Kamerling-Brown<br/>Gaffer: Billy Voermann<br/>Audio: Lily Van Leeuwen, Gabe Quiroga<br/>Groomers: Laila Hayani, Jessi Butterfield<br/>Assistant Editor: Andy Morell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming, Vogue: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/>Special Thanks: The Metropolitan Museum of Art
⏲ 9:6 👁 10K
In Theaters and On Digital June 2024 <br/>https://tv.apple.com/us/movie/i-used-...<br/><br/>I Used To Be Funny is a dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance. Writer/director Ally Pankiw’s debut feature is both funny and heartbreaking in its honest and refreshing look at trauma and recovery, and how they affect the relationships and communities that shape us.<br/>
⏲ 1:30 👁 10K
Oh No! Slept with My Husband
⏲ 1:35:11 👁 10K
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