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This is the heartwarming moment the family of a girl who received a life-saving live transplant from a soldier killed in battle met the donor's family.Israeli Staff Sergeant Dor Zimel, 27, was killed by a Hezbollah anti-tank missile last month in amid the conflict in the region with Lebanon and Gaza.His organs were donated and the liver was given to critically ill eight-month-old girl Lielle Avi at the Schneider Children's Center for General Pediatric Surgery in Petah Tikva.The late soldier's family had a bitter-sweet meeting with the little girl and her relatives at the hospital on May 2.Lielle's extended family awaited the Zimel family with flowers and gifts, with every member, including little Lielle, dressed in shirts bearing the image of the late Dor alongside Lielle's picture, with the caption: 'You were a hero, and you will remain one. Thank you.'In the emotional encounter, Sharon, Dor's mother, presented a small lion doll to Lielle's family, saying, 'We brought Lielle this lion so that our Dor will always watch over her, strong as a lion.'Avi, Lielle's father, addressed Dor's parents, saying: 'Your Dor continues to live through our Lielle. Forever you will be an inseparable part of our family. I have no words to thank you. My daughter was born anew thanks to your son.'Dr. Yael Moser-Glazberg, Director of the Liver Transplant Unit, addressed the Zimel family, saying: 'Thank you for giving this sweet baby a chance at life. It is an indescribable nobility of soul. 'We share in your profound grief and thank you on behalf of the hospital for the greatness of spirit to save lives in such a difficult moment. I wish both families full health and good news for all.'The Schneider Children's Center for Pediatric Surgery is the leading hospital performing the majority of pediatric organ transplants in Israel. Since its establishment, over 700 heart, lung, liver, and kidney transplants have been performed on infants, children, and adolescents, with success rates comparable to the best medical centres in the world.
⏲ 15:1 👁 1.6M
Hope Church, Corby
⏲ 24 minutes 53 seconds 👁 2K
for KING + COUNTRY
⏲ 3 minutes 41 seconds 👁 1.6M
A Wonder of the Ancient World. A marvel of engineering. A biblical transport? Could the Bible's favorite flood hero also have a place in Egypt's history? One man thinks so.
⏲ 5:1 👁 310K
Bible and Me
⏲ 3 minutes 39 seconds 👁 1.3K
Anchors For Life
⏲ 21 minutes 32 seconds 👁 336
Emily Blunt chats with THR on the red carpet for 'The Fall Guy' and calls stunt people the \
⏲ 0:55 👁 3.4M
Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.
⏲ 1:48:37 👁 265K
This is Investiture of the Gods' newly developed universe. Yang Jian, Su Daji, Jiang Ziya, and King Zhou will all receive new definitions. With the motto \
⏲ 14:17 👁 180K
Battle Through The Heavens All Seasons https://bit.ly/4bM3lvD<br/>Swallowed Star All Seasons https://bit.ly/49mQ9Ma<br/>Shrouding The Heavens All Episodes https://bit.ly/3uNkm8a<br/>Perfect World All Episodes https://bit.ly/42Zg9ek<br/>Throne of Seal All Episodes https://bit.ly/49p6HmP<br/>Lord of all lords https://bit.ly/3wuz6t1<br/>Wan Jie Chun Qiu (Spring and Autumn) https://bit.ly/3UUOeu4<br/><br/>This is a brand-new evolved world of Investiture Of The Gods. King Zhou, Jiang Ziya, Su Daji, and Yang Jian will all be defined differently. There are Emperors, the Three Emperors of Flaming Cloud Cave; There are Saints, the Three Pure Ones of Taoism; There are also Primeval Gods and Devils, Chiyou and Xingtian; There is a youth named Luo Lie, who is about to unravel a new age Investiture Of The Gods, with the slogan ‘I am no hero, but peerless nonetheless’!
⏲ 11:14 👁 130K
Girl didnt know that her onenight stand was the CEO After being abandoned by the scumbag she
⏲ 11:10 👁 555K
I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which
⏲ 3:9:3 👁 300K
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