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In the north Florida resort city of Jacksonville Beach, an antagonistically thin home is looking for a buyer for $619,000. This 1,547-square-foot, 10-foot-wide two-bedroom house was complete…
⏲ 0:33 👁 590K
Actually Alli DIY
⏲ 10 minutes 40 seconds 👁 71.1K
Laura Eubanks
⏲ 11 minutes 53 seconds 👁 4.5K
<br/>An iconic church spire in Linlithgow, West Lothian, is once again gleaming golden following successful completion of a £400k restoration project that has saved it from potential collapse.<br/><br/> <br/><br/>The Crown of Thorns spire of St Michael’s Parish Church – a unique and eye-catching piece of public sculpture, visible from both the M9 and the Edinburgh-Glasgow train line – has undergone thorough refurbishment to repair extensive rot in its structural timbers and replace the external cladding. The new cladding, a bronze alloy, returns the spire’s colour to the golden glow of the original structure when erected in 1964. This time, however, the gold is here to stay, aided by modern sealing technology designed to keep the Scottish weather at bay for decades to come.<br/><br/> <br/><br/>Retired architect Brian Lightbody, who led the project, said “From investigative surveys, we knew that the timber structure under the external cladding had been badly affected by water ingress. But the extent of the damage uncovered as all the old cladding was removed has demonstrated that the only alternative to major restoration would have been removal of the entire Crown – in itself a demanding and costly project, and a deeply unattractive prospect for funders.
⏲ 1:52 👁 26.4M
Liz Fenwick DIY
⏲ 9 minutes 51 seconds 👁 45.2K
Bargain Bethany
⏲ 15 minutes 53 seconds 👁 101.7K
Wearing jewellery is second nature to most of us, it’s something we barely think about. Along with our clothes, hair, make-up, jewellery is an expression of our style, a statement of how we see ourselves in the world.<br/>But unlike – say – a haircut or a new pair of jeans, jewellery reaches to something deeper. Crafted from precious metals and rare stones, our most treasured jewellery is often a token of love, given to mark a significant rite of passage in our lives: an important birthday, a wedding, a promise, an heirloom that links us to someone passed.<br/><br/>We invest the jewellery we love with special powers; these precious metals and stones become such a part of us that we feel lost without them – they seem to become connected to our personal strength and power.<br/><br/>Some might call it superstition, but for Hebden Bridge-based jeweller Toby Cotterill, it’s magic: “I think human beings are capable of magic.” he says, “We can all go beyond what we do in our everyday and get to a different place, and it can help us through hard times. I’m not saying that my jewellery is magic, it’s not me doing it, it’s people putting their emotions and memories and histories into a piece and giving it power.”<br/><br/>Throughout the world and since the beginning of time people have imbued jewellery with talismanic power. The objects we make from precious minerals and stones have been buried with us and long-outlasted skin and bone. Those ancient objects continue to exert an influence and connect us to the stories of people who lived before us.<br/><br/>In his tiny-but-perfectly-formed workshop in Hebden Bridge’s Northlight Studios, Toby sees himself as part of an ancient tradition, using tools and methods that jewellers and metalsmiths have refined and developed over thousands of years.<br/><br/>It’s a magical process to watch. Toby takes gold or silver, melts it, moulds it, cuts and hammers it, drills and files, heats it and plunges it into water, rolls it in sand – completely absorbed, at ease with his tools and lost in the making.<br/><br/>And somehow the metal takes on a new life, becomes something else – a shimmering beetle or fossil-like thing emerges. Something both ancient and alive at the same time, a moving, sparkling, precious thing with weight, something you want to touch…<br/><br/>One of four brothers, Toby’s childhood was spent in the hills and woods of the Welsh countryside: “Dad was a furniture maker, mum was a nurse.” he explains, “We didn’t have much money, but we were very happy. There was a move at the time toward self-sufficiency, so we had a small-holding, a few fields with maybe 20 sheep and a few pigs and cows. Mum and dad between them would work really hard, working the land and bringing us up. I think they wanted us to have that kind of childhood – grubby in the fields, learning the names of animals and plants and trees and just playing outside, making things.”
⏲ 3:51 👁 535K
Dazzling Designs By Denise
⏲ 10 minutes 10 seconds 👁 578.4K
Hometalk
⏲ 8 minutes 36 seconds 👁 1.1M
HIDDEN from public view for over 50 years, in the early 60s, the Golden Sahara was one of America's most famous cars. Originally built from a car that was wrecked in an accident, the first Golden Sahara was built by George Barris. It was the Golden Sahara 2, however, that was brought to public attention and cemented the vehicle as revolutionary. Four different steering options including aircraft-inspired controls; in-built television and tape recorder/player; electronic doors; vibrating massage seat; a hydraulic trunk and light-up neothane tyres made this car truly ahead of its time. A 24 carat gold trim interior, a white mink carpet and a mini bar in the back seat also goes to show how this vehicle was created to be over the top. At the height of its fame, having toured all over the USA for over four years, owner Jim Street retired the car into his collection. After Jim passed away, current owner Robert Olson bought the derelict car for a reported over $350,000 - and entirely restored it to its former glory. Robert told FutureStudiosCars: \
⏲ 5:52 👁 2.8M
Hometalk
⏲ 8 minutes 4 seconds 👁 1.1M
Home Made Vintage
⏲ 1 minute 1 second 👁 7.5K
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