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LH Palm Springs - Video Header - Dev
⏲ 54 sec ✓ 01-Aug-2023
Ke Tui Bol | Herogiri | Dev | Sayantika | Arijit Singh | Jeet Gannguli
⏲ 4 minutes 25 seconds 👁 47.4M
The Cataracs - Top Of The World ft. DEV
⏲ 3 minutes 41 seconds 👁 21.1M
Freedom Fought - 2.5K Anamorphic 5D Mark III Raw
⏲ 1 min 99 sec ✓ 20-May-2013
Zhong Kui Snow Girl and the Dark Crystal VFX - PIXOMONDO[Long Version]
⏲ 1 min 87 sec ✓ 24-Apr-2015
Rone - Wave ft. Noga Erez - Official Music Video
⏲ 3 min 3 sec ✓ 31-May-2018
CapDev_HeroVideo_R7
⏲ 20 sec ✓ 17-Apr-2021
Scott Metzger's 2012 VFX REEL
⏲ 4 min 77 sec ✓ 17-Feb-2011
Mac Miller - Colors and Shapes
⏲ 2 min 60 sec ✓ 15-Sep-2021
SlackFrontiers Conference Intro (Director's Cut)
⏲ 60 sec ✓ 02-May-2019
5D Mark III 2.5k raw (2560 x 720)
⏲ 24 sec ✓ 14-May-2013
Three.js FBX Converter
⏲ 99 sec ✓ 28-Nov-2012
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اجمل موخره منقبات
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_lh-palm-springs-video-header-dev.webp "LH Palm Springs - Video Header - Dev from dev video")
_ke-tui-bol-124-herogiri-124-dev-124-sayantika-124-arijit-singh-124-jeet-gannguli.webp "SurinderFilms")
_the-cataracs-top-of-the-world-ft-dev.webp "TheCataracsVEVO")
_freedom-fought-2-5k-anamorphic-5d-mark-iii-raw.webp "14bit linear uncompressed raw from the 5D Mark III with Magic Lantern pre-Alpha dev code. Iscorama (original version) 1.5x anamorphic. 2560x1280 workflow. End result - delicious!nnFull article: http://www.eoshd.com/content/10450/3k-cinemascope-anamorphic-raw-on-the-5d-mark-iiinThe EOSHD Canon DSLR group at Vimeo: https://vimeo.com/groups/rawnnFull frame sensor raw from the 5D Mark III is RGGB subsampled from the 6K CMOS then debayered in post to DNG raw format. DIGIC and internal debayer and com")
_zhong-kui-snow-girl-and-the-dark-crystal-vfx-pixomondo-long-version.webp "Here's some shots PIXOMONDO completed from our full CG sequence for the Chinese feature Zhong Kui - Snow Girl and the Dark Crystal. The film was directed by Peter Pau and Tianyu Zhao.nnI served as overall VFX Supervisor and VFX Producer for the sequence with work being completed at PXO facilities in LA (Village shots), Stuttgart (Underwater shots) and Beijing. All shots are 2k stereoscopic and from start to finish we had 3.5 months for the project. We handled all tasks, from initial storyboards")
_rone-wave-ft-noga-erez-official-music-video.webp "Cyber sex, virtual dating & unwanted voyeurs: a dystopian tale of modern loneliness is plagued by connection issues.nnWave is taken from Rone's latest album, Mirapolis nStream & order: https://idol.lnk.to/MirapolisnListen to Mirapolis on YouTube: https://youtu.be/InD3OQHkQpInn--------------------------------------------------------------nMaking-of pictures + more on instagram: @greg_barthn--------------------------------------------------------------nnDirector: Greg BarthnExecutive Produ")
_capdev-herovideo-r7.webp "CapDev_HeroVideo_R7 from dev video")
_scott-metzger39s-2012-vfx-reel.webp "00:12: The VFX Tour Robot -V-Ray - CG Supervisor, Look dev, lighting, shading, textures, env creation, compositing. n00:26: David Guetta")
_mac-miller-colors-and-shapes.webp "In this music video for “Colors and Shapes,” Hornet Director Sam Mason pays tribute to Mac Miller with a surreal & stirring film commissioned by Miller’s family. Following Mac Miller's dog Ralphie as he embarks on a quest into unconsciousness, the film is a dreamscape portrait with abstract yet realistic CG animation, ethereal transitions, and a genuine, heartfelt story.nnDirector Sam MasonnClient 4 Strikes / Karen MeyersnCommissioned by Miller McCormicknProduction Co HornetnHead of Cr")
_slack-frontiers-conference-intro-director39s-cut.webp "We were very excited to work with our old friends at Slack again, this time to write and create an intro video for their Frontiers conference. Armed with a colour palette and the phrase Frontiers of Possible, we got to work on a 3D journey about teamwork and the value in solving complex problems together.nn-------nCREDITSnClient: SlacknDirected by Giant AntnExecutive Producer: Teresa ToewsnCreative Direction: Jay GrandinnScript: Jay GrandinnStoryboard & Concept Dev: Jay Grandin, Rafael Maya")
_5d-mark-iii-2-5k-raw-2560-x-720.webp "*For best results please don't stream it, download the original ProRes file.*nnExperimental video. One sequence has some tearing. This was the maximum resolution I was able to get reliably with a KomputerBay 1000x CF card on the 5D Mark III with the still early stages raw recording dev code from Magic Lantern.nnIt is a 1:1 crop of the sensor - a much expanded view of what the LCD sees during 5x mag focus assist.")
![We've just contributed our FBX Converter back to Three.js. This short video shows it working: taking an input FBX file, converting it to Three.js JSON, then uploading to Verold Studio. nn[Note: Zelimir is on a dev branch here, that's how he can drop a JSON directly into the scene. We use the converter in our backend, so as a Verold Studio user you simply drop your FBX, OBJ, or other model/scene and we convert for you.]nnIf you like what you're seeing here, learn more about Verold and our plans w](https://cdn6.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol8mAmL1ZwN5BGtgBQp0ATEvAwV3ZQx5ZTH0ZzVmLJEwBQSuAwt_ZTIyZJH_AwquAQL-LzV3AwLmBTAvAmHlMwyuL_MvAJH3BTEzZl1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysZmp_AGVjBGx-YGt3AQExLwLlAmN5BGOyAQWvZ_SxLmtkLGL-AwOyMGSyAwL3LGD_BTWvAmL_ZmuwLwp1ZzL5LJAzLwIyAmuxMwZgMP0lZQO-ZGHj/(HiFiMov.co)_three-js-fbx-converter.webp "We've just contributed our FBX Converter back to Three.js. This short video shows it working: taking an input FBX file, converting it to Three.js JSON, then uploading to Verold Studio. nn[Note: Zelimir is on a dev branch here, that's how he can drop a JSON directly into the scene. We use the converter in our backend, so as a Verold Studio user you simply drop your FBX, OBJ, or other model/scene and we convert for you.]nnIf you like what you're seeing here, learn more about Verold and our plans w")
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