_circa-trailer.jpg "CIRCA (Trailer) from furioso Video Screenshot Preview")
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⏲ Duration: 3 min 15 sec
✓ Published: 20-Oct-2010
✓ Published: 20-Oct-2010
Description:
Created by Yaron Lifschitz with the Circa EnsemblennnOver 75 intense minutes, performers move from highly connected acrobatic and tumbling sequences, through fast-paced intricate scenes through to a haunting closing scene of stripped back beauty. This is all embodied within Circa’s signature style – combining poetic physical beauty, extraordinary circus skills and an immersive use of sound, light and projection.nnWith CIRCA, you can expect to see amazing circus skills in new and startling co
Created by Yaron Lifschitz with the Circa EnsemblennnOver 75 intense minutes, performers move from highly connected acrobatic and tumbling sequences, through fast-paced intricate scenes through to a haunting closing scene of stripped back beauty. This is all embodied within Circa’s signature style – combining poetic physical beauty, extraordinary circus skills and an immersive use of sound, light and projection.nnWith CIRCA, you can expect to see amazing circus skills in new and startling co
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_accademia-teatro-dimitri-lcff-2014-orlando-furioso92.webp "L' Orlando Furioso ndi Ludovico Ariosto (1° parte)npoema cavalleresco completato nel 1532, fa parte dei grandi capolavori del Rinascimento. Con la sua geniale fusione del ciclo epico di Carlomagno con quello romanzesco della Tavola Rotonda, fa risplendere mirabolanti mondi fantastici. L’opera - tentacolare labirinto narrativo - consiste in una gran quantità di storie ed episodi spesso collegati soltanto da un tenue filo.nnL’Europa è stravolta dalle sanguinose battaglie tra eserciti musulm")
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_orlando-furioso-500-anni-124-la-mostra.webp "“Un viaggio imprevedibile nel mondo realee immaginario dello scrittore” nMelania Mazzucco, Il Venerdì di Repubblica nn“A Palazzo dei Diamantiuna carrellata che toglie il fiato”nFabio Isman, Il Messaggero nn“Una mostra che procede per capolavori assolutidella pittura e oggetti impareggiabili” nClaudia Colasanti, Il Fatto QuotidianonnCosa vedeva Ariosto, chiudendo gli occhi, quando si accingeva a raccontare una battaglia, un duello di cavalieri o il compimento di un prodigioso")
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