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_terminator-salvation-92.webp "Asylum VFX brought me in to help develop the graphic language for the Skynet sequences in the feature film Terminator Salvation.nnI was brought on towards the end of post-production, so there was little time for design/animation versions. This provided good motivation to nail the designs the first time around and animate them in a smart, efficient way. The project was extremely fast-paced with a high amount of deliverables despite a small, but incredibly talented team. I worked in the penthouse")
_soundworks-collection-the-sound-of-brave.webp "In this exclusive SoundWorks Collection sound profile we talk with Director Mark Andrews, Re-recording Mixer and Sound Designer Gary Rydstrom, Supervising Sound Editor Gwen Yates Whittle, and Sound Designer E.J. Holowicki. nnSince ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. In “Brave,” a new tale joins the lore when the courageous Merida (voice of Kelly Macdonald) confronts tradit")
_belly-flop-full-film.webp "Directed by Jeremy Collins and Kelly Dillon, Belly Flop is the heart-warming story of Penny, a fearless young girl learning to dive, unperturbed by a talented diver who keeps stealing the spotlight. n nProduced by Triggerfish, Africa’s leading animation company, producers of two of South Africa’s five most successful films of all time, Adventures in Zambezia and Khumba, and animators of the multi-award-winning BBC Christmas specials Stick Man, The Highway Rat and the Oscar-nominated Revoltin")
_tokri-the-basket.webp "A clumsy accident leads a young girl onto the streets of Mumbai in the hope of making things right. A gentle and touching father/daughter story depicted in exquisite stop-motion from Indian animation mainstay, Studio Eeksaurus- Short of the WeeknnMiscellaneous Video Links : - nn1. Music Session -https://vimeo.com/392429595n2. Animating Tokri - https://vimeo.com/392426186 n3. Pre-Production - https://vimeo.com/377728814n4. Sound Design - https://vimeo.com/392432285n5. Faces of Tokri - https://vim")
_kaspersky-lab-enterprise-cybersecurity-movie.webp "We created full CG movie for Kaspersky Lab enterprise solutions. nnMaking of and Styleframes at:nhttps://www.behance.net/gallery/50761401/Kaspersky-Lab-Enterprise-Cybersecurity-MoviennInspired by such films as ‘Matrix’, ‘Blade Runner’, ‘Ghost in the Shell’and other works in cyberpunk style, we visualized the concepts of cybersecurity in such areas as Telecom, Industrial, Transportation, Embedded Systems, Endpoint, Fraud Prevention, Anti Targeted Attack, Data Center, Mobile and Cybe")
_kinetic-typography-after-effects-template.webp "Kinetic Typography After Effects Template(After Effects Templates Store)nDownload:http://www.aetemplatesstore.com/downloads/typography-after-effects-project/nnKinetic Typography After Effects Template is fully editable project that works with version CS6 or higher. Change the text, add your logo and music and change different color schemes with color control for your own color version. Video Tutorial included. Music file is in the project folder. Very simple to edit and customize. Kinetic Typo")
_darts-at-lark-tavern-albany-ny-08-dec.webp "People playing darts at the Lark Tavern in Albany, NY. nThank you for your patience, random serious people :)nnThis is my second video test with a Canon 5D Mark II, at a higher shutter speed this time, with the same Canon 50mm f/1.4. Once again, nothing interesting going on here, but an opportunity for me to describe my workflow in more details. Or lack thereof. Here are my first experiments taming the beast.nnUpdate May 1st, 2010: THIS IS IT guys, Adobe released the Premiere Pro CS5 Trial today")
_lander-full-movie.webp "I'm very excited to share with you my latest personal film LANDER. It's a short sci-fi action full CG film. It has been in production for almost a year and half. I've been trying to push the limit of myself by taking on most aspects of the production from asset, animation all the way to compositing and sound mixing. nnThe majority of this film is rendered in Unreal Engine real time, composited with elements rendered from Vray for final. Having gone though countless technique difficulties and cre")
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