Series 17, Episode 5 - 'Snooker cue umbrella chin.' | Full Episode from thumbs enter our comedy long mp3 chilam ami all picture Watch Video

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Want to see more? Give the film a thumbs up! - Curious to see in B&W style? Watch it here - https://www.youtube.com/watch?v=CyYYHLygi3s<br/>Don't forget to SUBSCRIBE and HIT THE BELL for New Release Notifications! - http://bit.ly/scytsubs<br/><br/>After an unfortunate encounter in the garden, Simon’s Cat goes to great lengths to avoid an imminent visit to the vet. As always, the question remains - will his long-suffering owner Simon step up to the challenge?<br/><br/>After a successful crowdfunding campaign in 2014 to make a longer film, ‘Simon’s Cat: Off to the Vet' became the first 12 minute Simon's Cat film to be produced in full colour. <br/><br/>A HUGE thank you to all our Indiegogo Supporters. This film would not have been possible without you! <br/><br/>‘Simon’s Cat: Off to the Vet’ has screened at multiple film festivals around the world and was awarded The McLaren Award for Best British Animation at the Edinburgh International Film Festival 2016.<br/><br/>OFF TO THE VET CREDITS:<br/>Director: Simon Tofield<br/>Written By: Simon Tofield & Emma Burch<br/>Art Director: Isobel Stenhouse<br/>Producer: Emma Burch<br/>Associate Producer: Edwin Eckford<br/>Executive Producer: Mike Bell<br/>Background Artists: Isobel Stenhouse & Marc Moynihan<br/>Art Department Assistant: Liza Nechaeva<br/>Animation Supervisor: Isobel Stenhouse<br/>Animators: <br/>Laura Nailor<br/>Aya Suzuki<br/>Sandra Gaudi<br/>Emma Wakley<br/>Giulio de Tomo<br/>Sarah Airriess<br/>Gemma Roberts<br/>Slaven Reese<br/>Simon Tofield <br/>FX Animation: Reg Isaac <br/>Animation Assistants:<br/>Setareh Seto<br/>Freya Hotson<br/>Jessica Leslau<br/>Liza Nechava<br/>Emma Wakley<br/>Reg Isaac<br/>Nadia Hussein<br/>Aude Carpentier<br/>Jay Wren<br/>Colour Artists <br/>Fran Woodcock<br/>David Bell <br/>Tara Jane Peak<br/>Kelly Holmes<br/>Ludivine Berthoulox<br/>Compositor: Danielle Baiardini<br/>Story Advisor: Mark Solomon<br/>Production Assistant: Liza Nechaeva<br/>Character Voices: Simon Tofield<br/>Voice Recording: Dave Reynaud at Mcasso<br/>Foley SFX & Audio Mixing: Tom Martin at Mcasso<br/>Music Composer: Stuart Hancock for Mcasso<br/>Audio & Music Executive Producer: Tom Martin at Mcasso<br/>Music Producer: Matt Wyatt at Mcasso<br/><br/>Have you visited the official Simon's Cat website?<br/>Official Website: http://www.simonscat.com<br/><br/>Stay connected with Simon's Cat on your favourite websites:<br/>Facebook: http://facebook.com/simonscat<br/>Google+: http://plus.google.com/+SimonsCat<br/>Twitter: http://twitter.com/SimonsCat<br/>Instagram: https://www.instagram.com/simonscatof...<br/>Tumblr: http://simonscat.tumblr.com/<br/>Pinterest: http://pinterest.com/simonscat<br/><br/>Want to see more of our Black & White films? <br/>Check out our play list here: http://www.goo.gl/FkqgHw<br/><br/>Want to know more about the history of Simon's Cat?<br/>Watch the Simon's Cat Story here - http://goo.gl/Vfx2JS <br/><br/>FAQs:<br/><br/>Q. What's the background of 'Off to the Vet'?<br/>A. ‘Off to the Vet’ film production and crowdfunding campaign was a huge undertaking for the Simon’s Cat Team. Our hope is to produce more long form, full colour content for our fans but without having to turn to them through crowdfunding again. The film was completed in 2015 and submitted it to a selection of international film festivals over the following months. During this time, it was exclusively available to all funders that contributed via our private production blog. The feedback we have received from our funders has been overwhelming positive and we hope they are extremely proud of making the film a possibility. If you are a funder and have any questions regarding the campaign, please contact us at igg@simonscat.com<br/><br/>Q. What software do you use?<br/>A. Simon's Cat is made using Adobe Flash / TV Paint / CelAction animation software.<br/><br/>Q. Why does it take so long to make each Simon's Cat film?<br/>A. Even though the films are made on computer software, they are still hand-animated in a traditional manner, frame to frame. It usually takes between 12 and 25 drawings to create 1 second of a Simon's Cat film.<br/><br/>Q. Where can I buy Simon’s Cat merchandise?<br/>A. You can purchase Simon's Cat products from the official webshop: https://shop.simonscat.com/
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With its campy humor and noir-ish tone, Zombie Detective just might be the most out-of-the-box drama that has premiered this year. It tells the story of a man turned zombie, and jumps from horror to slapstick to mystery to rom-com in the space of a single episode — and it all strangely works.<br/><br/><br/> <br/>EPISODES 1-2 WEECAP<br/><br/><br/><br/>It’s a great mystery of dramaland why some dramas just don’t work, even when they have everything (cast, writer, PD) stacked in their favor. But it might even be a bigger mystery when a drama that sounds like a walking disaster, turns out to be totally viable, fun, and entertaining — and that’s exactly what we have here with Zombie Detective.<br/><br/>When Zombie Detective opens, we’re introduced to two very different storylines. The first is this very dark, noir, and totally campy introduction to our zombie hero (Choi Jin-hyuk). He wakes up in the middle of a landfill and slowly starts to realize that he’s not human any more. All of the narration in this sequence is done in hilariously dramatic inner monologue — because he’s a zombie and he naturally can’t speak but in wheezy grunts. He wonders things like, “Is this the apocalypse or a zombie virus?” or, when he’s trying to walk, “I’m in a rush but why am I so slow?” LOL! Our zombie even lights a moody cigarette in a style that’s so exactly from a noir detective film, that it’s hard not to crack up. There’s something about this gloominess mixed with the comedy that is just spot-on.<br/><br/><br/><br/>Our second introduction is to our heroine, the feisty journalist GONG SUN-JI (Park Joo-hyun). Sun-ji’s scenes are the mother of all tonal shifts from the gloomy noir comedy of our zombie hero. She’s basically like a more ballsy Lois Lane. She’s on a mission to catch a wanted criminal known as Santa, or any other baddie she runs into in the process, and she’s not afraid to throw punches — or helmets — to take them down.<br/><br/>With a pretty solid introduction to our heroine and her pursuit of justice, the story’s attention then falls to our hero. How is he going to survive in a world of vicious humans who kill zombies at the first chance they get? The entire reversal of this hunter/hunted dynamic is great here — and our hero soon decides he has to pretend to be human in order to survive in this cruel, cruel world. Cue a year-long transformation montage that puts Choi Jin-hyuk’s previous crazy transformation scene in An Empress’s Dignity to shame.<br/><br/>
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