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PREGADOR LUO
PREGADOR LUO
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![1Schooldays<br/>2The Old Man Dying<br/>3Time Passes By<br/>4The Old Man Calling<br/>5The Disaster<br/>6The Sun’s Revenge<br/>7A Secret To Keep<br/>8The Brass Band Played<br/>9Rejoicing<br/>10The Disaster Returns<br/>11The Death Of The Alchemist<br/>12The Alchemist<br/><br/>Art Direction, Design – Roslav Szaybo<br/>Bass Guitar, Vocals – Cliff Williams<br/>Concept By [The Story Was Written By] – David Skillin, Mick Stubbs<br/>Coordinator [Additional Project Co-ordination At Esoteric Arts By] – Vicky Powell<br/>Crew [Road Crew] – John Boorer, Roger Goodspeed (2), Tony Self<br/>Design [CD Package Design By] – Becky Stewart<br/>Drums, Percussion [Various] – Mick (Cookie) Cook*<br/>Engineer [1st Engineer: Mixed At Trident Studios] – Mike Stone<br/>Engineer [1st Engineer: Recorded At Rockfield Studios] – Pat Moran<br/>Engineer [1st Engineer: Recorded At Trident Studios] – Ted Sharp<br/>Guest [Special Thanks To], Piano, Organ, Mellotron [Melotrone], Synthesizer, Vocals, Arranged By [All Keyboard Arrangements] – Jimmy Anderson (18)<br/>Illustration – William Rankin (3)<br/>Lead Guitar, Acoustic Guitar, Steel Guitar, Vocals – Laurie Wisefield<br/>Lead Vocals, Guitar, Piano – Mick Stubbs<br/>Lyrics By – David Skillin<br/>Music By – Cliff Williams, Laurie Wisefield, Mick Cook, Mick Stubbs<br/>Photography By – John Brown (99)<br/>Producer, Engineer – John Anthony<br/>Remastered By – Paschal Byrne<br/>Research [Conceived By, Researched By], Coordinator [Co-ordinated By] – Mark Powell<br/>Sleeve Notes – Jon Wright<br/>Sleeve Notes [Preface] – David Skillin<br/>Typography – Hundred Percent Studio](https://cdn7.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KFIuvYGSwFRWcZIM_JGyRDv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_home-the-alchemist-rock-prog-rock-1973.webp "1Schooldays<br/>2The Old Man Dying<br/>3Time Passes By<br/>4The Old Man Calling<br/>5The Disaster<br/>6The Sun’s Revenge<br/>7A Secret To Keep<br/>8The Brass Band Played<br/>9Rejoicing<br/>10The Disaster Returns<br/>11The Death Of The Alchemist<br/>12The Alchemist<br/><br/>Art Direction, Design – Roslav Szaybo<br/>Bass Guitar, Vocals – Cliff Williams<br/>Concept By [The Story Was Written By] – David Skillin, Mick Stubbs<br/>Coordinator [Additional Project Co-ordination At Esoteric Arts By] – Vicky Powell<br/>Crew [Road Crew] – John Boorer, Roger Goodspeed (2), Tony Self<br/>Design [CD Package Design By] – Becky Stewart<br/>Drums, Percussion [Various] – Mick (Cookie) Cook*<br/>Engineer [1st Engineer: Mixed At Trident Studios] – Mike Stone<br/>Engineer [1st Engineer: Recorded At Rockfield Studios] – Pat Moran<br/>Engineer [1st Engineer: Recorded At Trident Studios] – Ted Sharp<br/>Guest [Special Thanks To], Piano, Organ, Mellotron [Melotrone], Synthesizer, Vocals, Arranged By [All Keyboard Arrangements] – Jimmy Anderson (18)<br/>Illustration – William Rankin (3)<br/>Lead Guitar, Acoustic Guitar, Steel Guitar, Vocals – Laurie Wisefield<br/>Lead Vocals, Guitar, Piano – Mick Stubbs<br/>Lyrics By – David Skillin<br/>Music By – Cliff Williams, Laurie Wisefield, Mick Cook, Mick Stubbs<br/>Photography By – John Brown (99)<br/>Producer, Engineer – John Anthony<br/>Remastered By – Paschal Byrne<br/>Research [Conceived By, Researched By], Coordinator [Co-ordinated By] – Mark Powell<br/>Sleeve Notes – Jon Wright<br/>Sleeve Notes [Preface] – David Skillin<br/>Typography – Hundred Percent Studio")
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_sylvia-plath-a-visual-essay-music-two-witches-dracula-rising-1997-schubert-trio-in-e-flat-major-1827.webp "Although I have done a number of short serious tributes to this possibly last American luminary of the world of poetry, this is my first substantial visual essay. Here in this part of New York trapped between the Midwest, Canada, and New England, partly all of them and partly none of the above, it is still February 11, 2024: 61 years since the poet Sylvia Plath departed from this veil of tears by her own hand in 1963. In America, at least, the anniversary is still active.<br/><br/>This is part documentary, largely about her move to Cambridge, partly docudrama from the film Sylvia (2003), part photo images, and part poetry with image and narration.<br/><br/>The latter film excerpts are from Sylvia's Ariel period in autumn 1962, and from that I chose, due to an unfortunate need for brevity, her poem \")
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