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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
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☕If you want to support the channel: https://ko-fi.com/rollthedices<br/>❤️‍ To support the project: https://www.kickstarter.com/projects/cubicle-7-games/the-laundry-roleplaying-game-second-edition/description<br/>⭐ Website: https://cubicle7games.com/<br/><br/>Welcome to the Laundry! You’re one of the unlucky few standing between humanity and unspeakable - often unpronounceable - supernatural, alien, and interdimensional threats.<br/><br/>You’re a spy. Well, you are now, at least. Previously, you were someone who learned things humanity was not meant to know. Namely, that magic is real, it exists in the higher realms of mathematics, and it has some really messed up devotees. And if you know that much, then you’re not left with much of a choice — you work for the Laundry now. <br/><br/>If you’re familiar with Charles Stross’ award-winning The Laundry Files series or the first edition of the award-winning Laundry RPG, you know all this already and can skip to looking at the books, the new award-winning game system, or just go ahead and pick a pledge level already. Just remember that everything here has won awards, ok? Lots of them.<br/><br/>If you are new to the Laundry, you are in for a treat – read on for the primer. You should also bear in mind the awards thing.<br/><br/>New Operative Onboarding<br/><br/>There are things out there, in the weirder reaches of space-time, where reality is an optional extra. Horrible things, sometimes with actual tentacles. Al-Hazred glimpsed them, John Dee summoned them, HP Lovecraft wrote about them, and Alan Turing mapped the paths from our universe to theirs. It turns out that mathematics really is magic, or at least that aspects of it describe, enable and power magic. And computing power supercharges it.<br/><br/>The right calculation can call up entities from other, older universes, or invoke their powers. Invisibility? Easy! Binding lesser demons to your will? Trivial! Opening up the way for the Great Old Ones to come through and eat our brains? Unfortunately, much too easy.<br/><br/>That’s where the Laundry comes in. It’s a branch of the British secret service tasked with preventing alien gods from wiping out all life on Earth, with a policy focus on the United Kingdom. You work for the Laundry. The hours are long, the pay is bad, and the bureaucracy is stifling, but unfortunately, you know too much to really have a choice in the matter.<br/><br/>There are some upsides – you get to play with all sorts of magically enhanced tech, from necronom-iPhones loaded with cutting-edge occult apps to basilisk guns that [REDACTED]. Plus, you’ve got a job for life, and possibly beyond (talk to Residual Human Resources to find out more).<br/><br/>You may even get to save the world. Just make sure you get a receipt.
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