_t-870a-digital-infrared-irda-soldering-station-tutorial-1.jpg "T-870A Digital Infrared IRDA Soldering Station Tutorial 1 from can of paint mini makers 124 mister maker Video Screenshot Preview")
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⏲ Duration: 6 min 0 sec
✓ Published: 05-Jun-2009
✓ Published: 05-Jun-2009
Description:
DGC Media for 2009 presents a new Educational Series dedicated to interact directly with our customer, This series are dedicated to help you with you procedures of reballing, rework, from the beginning. Chose the right machine for the job, the right accessories and parts and perform a clean cut procedure that guarantees the best functionality for the chips and motherboards. This is just a video of the USE of the T-870 2 in 1. This machine can work with kind of chips from 30 to 55mm. BGA - SMT -
DGC Media for 2009 presents a new Educational Series dedicated to interact directly with our customer, This series are dedicated to help you with you procedures of reballing, rework, from the beginning. Chose the right machine for the job, the right accessories and parts and perform a clean cut procedure that guarantees the best functionality for the chips and motherboards. This is just a video of the USE of the T-870 2 in 1. This machine can work with kind of chips from 30 to 55mm. BGA - SMT -
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_surviving-the-sinking-titanic-as-first-class-in-roblox.webp "Neotastic")
_39i39-full-movie-4k---chiyaan-vikram-amy-jackson---shankar---action-amp-love-story.webp "I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which")
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_prsentation-webinar-of-eco-food-choice-life-project.webp "How can we build a European Ecolabelling for food products ?<br/>The ECO FOOD CHOICE project aims to provide an answer to this question over the next four years.<br/><br/>This is the repay of the presentation webinar of EcoFoodChoice which took place the 18th of April 2024 to present the objectives of our new Life project born of the shared ambition of researchers, policy makers and companies to develop and harmonize ecolabelling on a European scale.<br/><br/>The coordinating team : Gregoire Richard (Ademe), Vincent COLOMB (Ademe), Koen Boone (Wageningen University and Research), Ralph K. Rosenbaum from (IRTA) and Dr. Birgit Schulze-Ehlers (University of Goettingen) explain you how the project plan to achieve this ambitious goal with 3 main work packages :<br/><br/>DATA : We aim to develop a harmonized methodology for life-cycle inventories of food products in Europe, with the aim of creating robust environmental databases for food products.<br/><br/>METHOD : Building on French work, the aim is to develop a standardized method for aggregating life cycle inventory scores and translating them into an environmental score that takes into account all the environmental impacts of food products.<br/><br/>TEST : We plan to test an ecolabelling system in real-life conditions, involving experiments in supermarkets, canteens and online platforms in France, Germany, the Netherlands and Spain. These tests will help assess the impact of labelling on consumer purchasing behavior and on farmers' practices.<br/>")
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