![per[mute]ing from trisha ing Video Screenshot Preview](https://cdn4.hifimov.co/picture/original/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol8_ZGR-AmHkBQZgMGN0MGxlAGx_LGL_AJVjMQZ3AGyyAGNmAQEuAQMzAGWyAGpmAGD5LGN1AJV_LwDkLGWyLJLkAmpmMJWyBTExAl1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysAwRkBQp1ZGtmYJHjATH5ZwH5AzR_AwIvZTDmAmH5MGHjZmD0LGD_MwHlMGH3ZmH0BJRjAGIvAzV0ZJRlMJSzZGp3Z_IvMGuxMQpgMP0lZQO-ZGHj/(HiFiMov.co)_permuteing.jpg "per[mute]ing from trisha ing Video Screenshot Preview")
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⏲ Duration: 5 min 1 sec
✓ Published: 10-Jan-2017
✓ Published: 10-Jan-2017
Description:
Hope Mohr Dance 2016 Bridge Project. nYerba Buena Center for the Arts, San Francisco, CA.nOctober 14, 15, 2016nChoreographed and performed by Peiling KaonnThe dance lineages that I carry in my (visually Asian) body via years of (hybrid) movement training have shaped my identity as a mover and choreographer. Even as I value these diverse movement vocabularies in my practice, I delve into the assumed/perceived separations of Eastern and Western dance through this response to Trisha Brown’s
Hope Mohr Dance 2016 Bridge Project. nYerba Buena Center for the Arts, San Francisco, CA.nOctober 14, 15, 2016nChoreographed and performed by Peiling KaonnThe dance lineages that I carry in my (visually Asian) body via years of (hybrid) movement training have shaped my identity as a mover and choreographer. Even as I value these diverse movement vocabularies in my practice, I delve into the assumed/perceived separations of Eastern and Western dance through this response to Trisha Brown’s
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